HEAR THAT? UWEC Prof Wins International Women Composer Competition
Dr. Chia-Yu Hsu's piece ‘EC Sketches,’ earned her top honors in the Women Composers Competition of Italy’s Femfestival
Judy Berthiaume, UW-Eau Claire |
Dr. Chia-Yu Hsu, associate professor of music-composition at UW-Eau Claire, is the winner of a prestigious international competition that celebrates women composers.
Hsu’s chamber orchestra piece, “EC Sketches,” earned her top honors in the Women Composers Competition of Italy’s Femfestival, an event designed to share and promote women’s music and female composers.
“Winning this competition makes me love music more,” said Hsu, who recently returned from Florence, where the winners were announced following a concert featuring the finalists’ music. “At the concert, I felt the power of music communicating to people who don’t speak the same language. Musicians understood what my music is trying to convey from their performance. I feel fortunate to be able to write music and experience what my music can bring to people and connect with them.”
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I felt the power of music communicating to people who don't speak the same language.
Musicians understood what my music is trying to convey from their performance. I feel fortunate to be able to write music and experience what my music can bring to people and connect with them.
Dr. Chia-Yu Hsu
Associate Professor of Music-Composition
At the final concert, it was fascinating to meet musicians and to listen to works by women composers from all over the world, Hsu said, noting that she appreciated the organizers and musicians’ dedication and work to perform seven works that were diverse in terms of techniques and styles.
“The highlight of the competition for me would be the announcement of the winner, even though it all was in Italian, and I was not 100% sure of the contents,” Hsu said of learning her piece had won the top prize. “I was invited to speak to the audience, and the moment touched me so much to hear their reactions, and people asked me to sign for them afterwards.”
Dr. Gretchen Peters – chair of the music and theatre arts department and a professor of musicology – said Hsu acts as a terrific role model for her composition students at UW-Eau Claire.
“Musical composition certainly has been dominated by men throughout the history of Western classical traditions,” Peters says. “Awards and competitions are very important to draw attention to the work of female composers. Dr. Hsu is an extremely prolific and successful composer. Her works have frequently won major awards and performances.”
“Musical composition certainly has been dominated by men throughout the history of Western classical traditions. Awards and competitions are very important to draw attention to the work of female composers.”
GRETCHEN PETERS
CHAIR OF UWEC'S MUSIC AND THEATER ARTS DEPARTMENT
Hsu says she is excited to now be back on UW-Eau Claire’s campus so she can talk with her students about the competition.
“I shared my experiences at the competition with my students, showing it as an example of how music is a universal language, and it can communicate and reach out to people in different parts of the world,” Hsu said. “At the same time, I encourage my students to always grasp opportunities and try your best.”
Open to women of all ages from all over the world, the Women Composers Competition is unique because of its focus on female composers, Hsu said. Its focus on women makes her first-place honor that much more meaningful, she said.
“Historically, women composers were a minority in this field,” Hsu said. “I am happy to learn that there are more organizations in recent years starting to support and promote compositions by women composers. There are also more networks created for women and databases that include works by women. All these will help bring more women into this field who see the possibilities to shine and to be appreciated.”
Hsu’s winning entry, “EC Sketches,” is the last movement of “Confluence Landscape,” which was commissioned and premiered by the Eau Claire Chamber Orchestra at the opening concert at Pablo Center at the Confluence.
“This work depicts the different seasons in Eau Claire,” Hsu said. “The music starts with the low rumbling sound mimicking the flow of the rivers and gradually expands the register, as well as incorporates different families of the orchestra to create chords in distant spacings. Different performance techniques are employed to imitate the various sounds in the nature.”
Born in Taiwan, Hsu derives inspiration from different materials, such as poems, myths, and images. Her music has been recognized with awards from national and international competitions, and has been performed by orchestras and at festivals throughout the U.S. and the world.
